An Interview with Irina Kolesnikova

Can you tell us about Her Name was Carmen? Why did you decide to create a contemporary spin on a classical piece?

As a mother of a young child I was struck by the number of children that are caught up in the refugee crisis. This shocked me and I knew I had to do something for them. As we are a ballet theatre, ballet is our tool. Continue reading “An Interview with Irina Kolesnikova”

Nabucco with Placido Domingo at the Royal Opera House

Our Rating:

The 9th June performance of Nabucco at Royal Opera House was a special treat, especially considering Placido Domingo’s age. A giant among tenors and a living operatic legend, Domingo was Nabucco, an aging king betrayed by a domineering adopted daughter, Abigaille. Continue reading “Nabucco with Placido Domingo at the Royal Opera House”

Ballet Folklorico de Mexico De Amalia Hernandez at the London Coliseum

Our Rating:

Para bailar la bamba, Se necesita una poca de gracia

The Ballet Folklorico de Mexico de Amalia Hernandez re-visited London after a 20 year hiatus from this city. What did we expect? I’m not sure. What was it like? In a word: sensational.

The programme consisted of 9 sections, each act accompanied with the impressive, live, Mariachi-type musicians, replete with sombreros. Continue reading “Ballet Folklorico de Mexico De Amalia Hernandez at the London Coliseum”

Bel-Ami musical premieres at Charing Cross Theatre: An interview with Alex Loveless

Bel-Ami is Alex’s modern re-telling of this classic story, showing at Charing Cross Theatre from 20th February. A fresh take on the classic Guy de Maupassant novel by award-winning composer Alex Loveless, we ask him several questions on the forthcoming performance.

Continue reading “Bel-Ami musical premieres at Charing Cross Theatre: An interview with Alex Loveless”