To be frank, I don’t know much about psychosis, or mental illness in general. And given the recent attempt to raise awareness via social media, I am not alone in my ignorance. Continue reading “4.48 Psychosis – Collide Theatre Company”
Buttercup Bill is billed as a “Southern Gothic Romance”. It is the first production of Sadie Frost and Emma Comley’s new outfit Blonde to Black Pictures, set to be released in the UK August 2015. It is also a debut feature from New York film makers Remy Bennett – who also stars in the film – and Emilie Richard-Froozan. Continue reading “Film Review: Buttercup Bill”
Rajeev Goswami’s Beyond Bollywood at the London Palladium can only be described as an extravaganza. I haven’t seen any Bollywood films but this is exactly how I imagine they would be. The acting is over the top, melodramatic and peppered with slapstick comedy, but that’s all part of the fun. Continue reading “Beyond Bollywood review”
Interview with Lucy Pickles, who plays the leading role of Margrit, in ‘The Feast of Solhaug’ at the Baron’s Court Theatre in London.
Q: How does it feel to star in the English-language premier of The Feast at Solhaug?
A: It’s very exciting for all of us – we are officially making history this evening on our opening night.
Continue reading “Interview with Lucy Pickles, who plays the lead in The Feast of Solhaug”
On Thursday night I had the pleasure of going to the Baron’s Court Theatre (below the Curtain’s Up Pub) to see Henrik Ibsen’s The Feast at Solhaug. The play, first performed in 1856 and written predominately in rhyming verse, was the first of Ibsen’s plays to be publicly successful. Yet this is the first time it has been performed in English.
Continue reading “The Feast at Solhaug, Baron’s Court Theatre”
On Tuesday I went to Sadler’s Wells for a night of jazz and modern dance. I, unlike almost everyone I know, hate jazz. And I would go to the ballet a thousand times before I chose to see a modern dance performance. Yet, there I was, sat in the vacuous and beautifully stark Sadler’s Wells theatre in Islington, waiting for “The Pursuit of Now” to begin. Honestly, even the name annoys me.
Continue reading “The Pursuit of Now, Sadler’s Wells”
Do you remember the Backstreet Boys? I do, just. But not like this.
In this new documentary titled Show ‘Em What You’re Made Of, centered on the Backstreet Boys’ 20th Anniversary Tour, we see the Backstreet Boys as we’ve never seen them before. Gone are the youthful, boyish looks and energy and in their place, neuroses, petulance, trick knees and raw, unchecked emotion.
Continue reading “Film Review: Show ‘Em What You’re Made Of, The Backstreet Boys”