I’m going to tell you the truth, dear readers. First I wrote what would have been qualified as no less than a horrid review of Mr Aznavour’s English birthday concert. I thought I would possess what it takes to publish it, yet in reality I couldn’t.
Continue reading “Charles Aznavour’s 90th Birthday at the Royal Albert Hall”
Not long ago did I meet Corinne, barely a few months, so to speak; but shortness of time will never relate to pettiness of worth, therefore it was with personal and sincere diligence that I’ve indulged Corinne’s re-debuting performance at The Forge with Nico de Villiers. Continue reading “Corinne Morris’ life and cello art: an interview”
My trail amongst Azerbaijani music resumes with yet works of another of their illustrious composers. Kara Karayev’s life spans spot over the 20th century and, understandably, is stretched from one end to the other of that of the Soviet Union. Karayev’s early life is most notably stamped with Shostakovich’s tutoring, being one of the latter’s most successful pupils.
Continue reading “20th century ballet music from Azerbaijan: Kara Karayev’s suites fresh record on Naxos”
To those living out there, cut from the continent and more or less impervious to happenings of below the English Channel, I’ll start out by a few hints at who’s been able to rock a good couple hundreds of lads & gents on April 9th.
Continue reading “The Voice can also be a French, male one: Benjamin Bocconi Live at the Coronet Cinema”
Little time after waving good-bye to long-term convalescence after severe arm and shoulder injury, it’s been an absolute delight to meet with Corrine Morris a small bunch of months ago. I have learnt about the difficulty of getting slowed down mid-way through a career, confronting uncertainties of the future with hopes for a redemption.
Continue reading “The victorious return of a cellist: Corinne Morris’ tribute to Paul Tortelier”
I have come to the Wigmore on that night with both angst and excitement (April, 7th), as I was forecasting with great hopes to reconcile with the world of percussions, maybe a bit a biased in the past by the everyday life omnipresence of dull popular drumming patterns, also enthused with vigour at the prospect of finding a change from traditional instruments: let us vibe at the notes of a marimba, and his brothers in sound!
Continue reading “Colin Currie at the Wigmore Hall, explorativist songs for a percussionist’s virtuosity”