In performing Kafka’s The Trial, as adapted by Steven Berkoff, Oxford’s Hypnotist Theatre Company took on two masters of theatre. The play in itself deals with issues of identity and illusion, of double meanings and deception and at its heart, dystopia. These themes are perfectly matched to Berkoff’s Brechtian production; the audience’s awareness of the actors as players taking on a different identity reflects the way in which the narrative questions the roles we all take on within society. Continue reading “Hypnotist Theatre Company’s ‘The Trial’, Burton Taylor Studio, Oxford”
The Northern Ballet is a dance company famous for their narrative productions and so in taking on ‘The Great American Novel’, they set themselves an incredible challenge.
The Accidental Festival last week brought various performers from across the arts to the Central School of Speech and Drama in order to showcase and celebrate various types of dance, theatre, music and performance art.
Steven Berkoff is one of the most influential figures in the world of theatre and film, both as an actor and as a pioneering writer and director, spearheading the conception of ‘total theatre’- a method and style that, whilst avant-garde and shocking twenty years ago, is now widely mimicked in both professional and amateur theatre.
Christopher Wheeldon’s Alice’s Adventures in Wonderland, returning to the Royal Opera House this month for a third time, is a spectacle of Diaghilevian proportions. From the minute the curtain rises to the sounds of Joby Talbot’s sweeping, yet crystalline score, Lewis Carroll’s tale of white rabbits and playing cards is brought to life in a way that is fresh and innovative- a true feat after over a century of endless adaptations.