For its 2015 international tour, the St Petersburg Ballet Theatre brought Swan Lake to the London Coliseum, decidedly raising the bar for future performances of this romantic classic tale. Continue reading “Swan Lake with the St Petersburg Ballet at the London Coliseum”
Para bailar la bamba, Se necesita una poca de gracia
The Ballet Folklorico de Mexico de Amalia Hernandez re-visited London after a 20 year hiatus from this city. What did we expect? I’m not sure. What was it like? In a word: sensational.
The programme consisted of 9 sections, each act accompanied with the impressive, live, Mariachi-type musicians, replete with sombreros. Continue reading “Ballet Folklorico de Mexico De Amalia Hernandez at the London Coliseum”
Swans are monogamous creatures, many mating with a single partner for life. In Tchaikovsky’s master narrative he draws an analogy and caveat for faithful relationships, a parallel which is relevant for the audience of all ages.
Continue reading “LAC (After Swan Lake) by The Monte Carlo Ballet”
My first thought after having seen ‘Le Songe d’une nuit d’été’ was: wow.
Based on Shakespeare’s ‘A Midsummer Night’s Dream’, the ballet interpretation is an innovative performance. With complex choreography and an incredibly potent score, this is one of the superior modern ballet performances that I have seen.
Continue reading “Le Songe d’une nuit d’été”
When the graceful melody of the Coppélia waltz starts I close my eyes, listening to the beautiful score composed by Leo Delibes consisting of mazurkas and waltzes, and conducted by Koen Kessels for the Teatro dell’Opera. The orchestra gives voice and emotion to the gestures of the dancers and throughout, the co-ordination between orchestra and choreography was superlative.
Continue reading “Coppélia Ballet in Rome”