Not long ago did I meet Corinne, barely a few months, so to speak; but shortness of time will never relate to pettiness of worth, therefore it was with personal and sincere diligence that I’ve indulged Corinne’s re-debuting performance at The Forge with Nico de Villiers. Continue reading “Corinne Morris’ life and cello art: an interview”
Wil Coleman is an Australian actor, currently working on projects in the UK. He has recently starred in a production of Twelfth Night at the newly opened Rose Theatre. Performance Reviewed catches up with him to find out more about his experiences.
Continue reading “Interview with Wil Coleman”
A fraction of our encounters, no matter major or how scarce, has to and must belong to the utmost casual and it is through a mere social media’s ad, yes, and one broadcast from Classic FM that I’ve heard about Ji’s golden hands and velvet notes – subsequently deciding to attend his performance in Barbican on Valentine’s day.
Continue reading “A Chinese pianist in London : Ji Liu and his first album on Classic FM”
What a pity would it be to enjoy and review a concert and miss interviewing its conductor. That, thankfully, isn’t the case as maestro Henty took up the time to agreeably revisit his Valentine performance at Barbican. I grabbed the occasion to ask Timothy a few personal and reflective questions, thinking them a perfect insight for former and future audiences into the architectecture of their musical bliss.
Continue reading “Revisiting Love Classics and interviewing Timothy Henty, inspired gentleman and conductor”
Maestro Ashot Tigranyan is the founder, director and soloist of CCCO, the Classical Concert Chamber Orchestra. The sky was bright, the sun rose high for a winter day, yet a nose biting cold made me glad to find refuge under the warm arcades of Saint John’s Smith Square, whom a German pilot decided it’d become a concert hall and not a church a few decades ago.
Continue reading “Ashot Tigranyan, the violin, his orchestra: a matter of love, beauty, and dedication.”