Playing until the 26th August at Edinburgh Fringe C
Awake is performed by a brilliant ensemble cast who, in an interpretative and creative dance, tell the story of Max. His fight with serious illness not only affects his own life but also the lives of his friends and family. This show from the Awake Projects team brings together dance, acrobatics and haunting music to illustrate beautifully the internal struggle we all have to deal with when faced with a tough decision. Continue reading “Awake at Edinburgh Fringe”
2pm/ 7pm Southbank Centre (Waterloo)
10 August – 1 September
ZooNation‘s army of mini-mes has taken to the South bank this month, in an interpretatively illuminating, reinforced rendition of The Wizard of Oz story. Groove On Down The Road is the first full-scale production from ZooNation Youth Company (ZYC) with celebrated choreographer Katie Prince, whose previous shows include critically acclaimed Some Like It Hip Hop and Into The Hoods. Continue reading “Groove On Down The Road (ZooNation) at the Southbank Centre”
The Northern Ballet is a dance company famous for their narrative productions and so in taking on ‘The Great American Novel’, they set themselves an incredible challenge.
Continue reading “Northern Ballet’s The Great Gatsby at Sadler’s Wells”
Seduced by the Royal Opera house’s promise that I would be “transported to an exotic world of noble warriors and cruel princesses”, I eagerly awaited the performance of La Bayadère. And if any word can be used to describe the performance it was definitely ‘transported’.
Continue reading “La Bayadère at the Royal Opera House”
The Accidental Festival last week brought various performers from across the arts to the Central School of Speech and Drama in order to showcase and celebrate various types of dance, theatre, music and performance art.
Continue reading “The Accidental Festival”
Christopher Wheeldon’s Alice’s Adventures in Wonderland, returning to the Royal Opera House this month for a third time, is a spectacle of Diaghilevian proportions. From the minute the curtain rises to the sounds of Joby Talbot’s sweeping, yet crystalline score, Lewis Carroll’s tale of white rabbits and playing cards is brought to life in a way that is fresh and innovative- a true feat after over a century of endless adaptations.
Continue reading “Alice’s Adventures in Wonderland at the Royal Opera House”