Secret Theatre Project Mayhem

Friday 11th August, Dalston

Our Rating:

Secret Studio Lab has returned to London with a new, immersive theatre show: the subversive Secret Theatre Project Mayhem. Spoilers ahead, if you’re planning to see the see the show within the next couple days. The premise, while derivative, might have been fertile ground for the enthusiastic cast. In the end, it doesn’t matter when the production is so poorly thought out. Continue reading “Secret Theatre Project Mayhem”

LAURA by Elina Alminas @ Etcetera Theatre

Saturday 5th August, Camden

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A sea of heartbreak. Karaoke. Accusations and dirty laundry. Cake and champagne. Pill-popping and binge-drinking. An awkward turn on the stage by yours truly. Crazy wedding photos. Elina Alminas reprises her one woman show for the Camden Fringe 2017. LAURA is an absurd, painful, sympathetic satire of modern marriage, and keeps the audience on its toes throughout.

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Tejas Verdes by Collide Theatre

Saturday 1st April, Southwark

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Performance Reviewed was invited by Collide Theatre to attend their production of Tejas Verdes. In collaboration with Ugly Duck, the performance took place at renovated Victorian warehouse 47/9 Tanner Street. This was a site-specific promenade, with director Emily Louizou as the audience’s guide. Continue reading “Tejas Verdes by Collide Theatre”

Beyond Bollywood review

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Rajeev Goswami’s Beyond Bollywood at the London Palladium can only be described as an extravaganza. I haven’t seen any Bollywood films but this is exactly how I imagine they would be. The acting is over the top, melodramatic and peppered with slapstick comedy, but that’s all part of the fun. Continue reading “Beyond Bollywood review”

The Feast at Solhaug, Baron’s Court Theatre

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On Thursday night I had the pleasure of going to the Baron’s Court Theatre (below the Curtain’s Up Pub) to see Henrik Ibsen’s The Feast at Solhaug. The play, first performed in 1856 and written predominately in rhyming verse, was the first of Ibsen’s plays to be publicly successful. Yet this is the first time it has been performed in English.
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