Your repertoire and recordings have consisted of mainly classical pieces. Have you ever considered delving into another genre?
RC : In fact, among the 1000 titles which I have recorded in the past 35 years, there are less than 10% of classical titles. In fact although I have studied in a Conservatory the classical piano, I do not consider myself a classical pianist. I am rather what we usually call a Pop pianist with my own romantic style.
Continue reading “An interview with Richard Clayderman”
It was a privileged audience that attended the 26th October performance of the London Philharmonic Orchestra at Royal Festival Hall. The Rest is Noise series, a title borrowed from Alex Ross’ book on 20th century classical composers and their music, has covered a formidable repertoire this season but Shostakovich’s 13th was always going to be a firm favourite.
Continue reading “Shostakovich interpreted by the London Philharmonic Orchestra”
An exclusive video interview of Downton Abbey’s Dan Stevens talking about his latest project – Frankenstein (29 Oct). The award-winning actor and narrator has recorded an uncanny audiobook performance of Mary Shelley’s timeless gothic novel, an epic battle between man and monster at its greatest literary pitch.
Continue reading “Dan Stevens on Narrating the Latest Edition of Frankenstein”
The Rest is Noise 2013/2014 concert series at Southbank had a well-defined 1950s programme on the 23rd October, with Prokofiev’s 7th Symphony sandwiched between Poulenc’s Piano Concerto and Stabat Mater.
Continue reading “The Rest Is Noise: Prokofiev Review”
“Sigurd!” they cry out and by God they’ve done it again: I’ve goosebumps from the fantastically high pitched and heart rendering pain that emanates from the voice of the soprano, Anna Caterina Antonacci, singing the voice of Brunehild’s love and anguish.
Continue reading “Reyer’s Sigurd at the Opera House, Geneva”